As always, the casting and individual stories help carry the show, and the producers have done an exceptionally shrewd job on that score, beginning with Anthony Ramos, the “Hamilton” alum who should be even more prominent this summer with “In the Heights” to hit theaters and HBO Max.
Ramos plays Eladio, the caregiver to the disabled son of a wealthy family, which is paying for his therapy. His sessions are conducted via Zoom, while Taylor’s other patients both come to her: Colin (John Benjamin Hickey), a paroled tech CEO, trying to get his life back together, but chafing against the court-mandated therapy; and Laila (Quintessa Swindell), a teenager at odds with her family, including over her sexual identity.
Finally, there are Brooke’s conversations with Rita (Liza Colón-Zayas), who is concerned about the nature of Brooke’s relationship with Adam (Joel Kinnaman), a boyfriend who — his other assets notwithstanding — might not be especially good for her.
Smartly, the show also works the pandemic and the uncertainty surrounding it into the narrative, adding to the sense of upheaval the characters face. “I don’t know what to tell them,” Brooke confesses to Rita. “I don’t know what to tell myself.”
Originally adapted from an Israeli series, “In Treatment” remains a particularly durable concept, if one only as good — given the almost claustrophobic nature of the premise — as the actors and writing. Fortunately, both are quite compelling in the episodes previewed, which encompassed four the six weeks.
Admittedly, eavesdropping on therapy sessions isn’t for everybody, and the theatrical nature of the format can occasionally yield moments that feel a little too perfect or precious. Overall, though, “In Treatment” remains a compelling way to spend an hour, and as they say, it’s cheaper than therapy.
“In Treatment” premieres May 23 at 9 p.m. ET on HBO.
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